OUGD601: COP Tutorial

by Roxxie Blackham on Thursday, 30 October 2014

Research
- Sign writing // is sign writing dying due to technology?
- "Technology" or digital image-making or contemporary graphic design?
- Any specific area / industry / application?
- In defence of sign writing
- Focus more on "sign writing" rather than digital technology.
- Look at traveler culture, how sign writing was influenced by this. Wagons, etc.
- Primary research - sign writing used in various contexts:
   - Traveler culture
   - Coffee shops
   - Granary Wharf
   - Clarence Dock

Practical
- Connecting with history - pastiche
- What is the commercial potential of sign writing?
- Can you find a client and produce some work for them? Reflecting on the defense of sign writing and showing that there is still a need?

OUGD601: Research Plan Take 2

by Roxxie Blackham on Thursday, 9 October 2014

What questions do I want to investigate?
- What is the history of sign writing?
- Why was sign writing important?
- Is sign writing still important?
- How has technology affected sign writing? Positives and negatives..
- Do people still appreciate sign writing? Why?
- How did structure within design affect sign writing traditions?
- Do people paint within trends? Or stick to traditional styles?
- How has the digital age affected the use of typography and the need for legibility vs creativity?
- Has hand rendered typography become more apparent now that everyone is bored of the 'norm'?
- Can sign writing be used commercially?
- Where has it been used effectively within the industry?
- What are the visual qualities of sign writing?
- Is sign writing coming back into trend?
- What does the future hold for sign writers and letterers?

After considering my list of questions, I decided on 2...

Primary Question:
How has the digital age affected the use of typography and the need for legibility vs creativity?

Secondary Question:
What does the future hold for sign writers and letterers?

First Thoughts and Preconceptions...
In the digital era, there are a lot of alternative solutions to sign writing that are cheaper, quicker and a whole lot easier. But I don't think that these alternatives are anywhere near as high quality, or that they even hold as much character as a hand painted sign. For example, vinyl needs to be replaced every year or so, as the weather effects the sticky plastic a whole lot quicker than it effects enamel. It may still end up a lot cheaper than paying someone to paint you something, but I think that there is affordability in quality.

Computers and technology have definitely affected typography, and in many different ways. I think that computers have limited designers. People are afraid to step outside their comfort zones and experiment with their designs. People are afraid to fail, where as before when you'd have to hand draw your posters, or create them through screen printing / letter press, designers seemed to be a lot more experimental and would play around, knowing that they could fail or even cause a happy accident. Designing definitely seemed to be more of a skill before computers. Nowadays, anyone and everyone thinks they're a designer if they have the right software!

Weingart’s quote: “What's the use of being legible when nothing inspires you to take notice of it?" If designers aren't experimenting with their typography, or trying to produce something new and exciting, who is going to want to look at it? It's boring following rules and structure, and creating the same things over and over again. I think that sign writing and lettering are so much more exciting when it comes to typography usage, as you can really make something catch your eye and stand out from the crowd, whilst still being completely legible.

I think that the future still holds a place for sign writers and letterers, but it's definitely becoming a niche market, as a lot of people like to think that they can produce the same work themselves by printing things out or cutting it out of vinyl... I think that sign writing is an art form, and should definitely be more appreciated and sought after.

What is the purpose of the study?
To find out whether sign writing is becoming extinct, and whether there's any way of helping the public appreciate the skill and craftsmanship.

Is your question researchable?
I think so! I've found lots of books on the subject already, and have even bought the Sign Painters film to watch to get more of an insight into it. There are also lots of books out there that are about technological advances that will help guide my research.

Title:
How has the digital age affected the use and importance of typography within sign writing?

OUGD601: Dissertation Research Plan

by Roxxie Blackham on Sunday, 6 July 2014

I am planning on researching into an area of typography that is particularly interesting to me - hand rendered typography. I have noticed that it has started to become more of a trend within design, as people start to branch out from their computers and start playing with design rules. Within this research, I plan to focus on both drawn and painted type, for example areas of drawn typography, such as..


and areas of painted typography, in the form of sign painting..


as I've found a recent love for sign painting, I'd imagine my research will edge more towards the skill behind the craft and the variety of traditional methods that are put into place when painting a sign.

I want to look into the history behind sign painting and drawn typography - find out why it became important, how it became popular, and how it sits in today's design society. The history behind it will also involve areas of English history, such as the sudden demand for literacy and the Guttenburg Press - how all of this impacted the need for painted signs. Did this effect the need for hand written type though? As people found letterpress faster and easier, more effective for mass production. How the letterpress also led to structure, swiss design etc. How this effected the need for sign writers and letterers / how it affected their design styles.

Look at illuminated manuscripts - very early form of lettering.

Weingart’s quote: “What's the use of being legible when nothing inspires you to take notice of it?" How has the digital age affected the use of typography and the need for legibility vs creativity? Has hand rendered typography become much more apparent now that everyone is bored of the 'norm'?

Have a look into how designers use hand rendered typography and sign writing. How is it effecting design trends at the moment? Is it successful? Can it be used commercially? Where has it been used effectively in the industry? What are the visual qualities of it? Is it coming back into trend?

What does the future hold for letterers and sign writers??

OUGD601: Traditional Design Methods

by Roxxie Blackham on Monday, 16 June 2014

Sign Writing


Sign painting is the art of painting on buildings, billboards or signboards for the purpose of announcing or advertising products, services and events.

Sign painting is a learned craft with a long history. Historically artisans acquired the craft through apprenticeship, although many early sign painters were self-taught. An apprenticeship could last for years, depending on the skill of the apprentice and the knowledge of the master. The skills learned were varied, and some were complex. At the core of the training was proficiency in the manipulation of a lettering brush: this alone could take years to develop. A number of associated skills and techniques were also taught, such as gold leafing (surface and glass), carving (in various mediums), glue-glass chipping, stencilling, and silk-screening.

With the advent of computer software, sign painting has been displaced by computer controlled sign-making machines. The craft has all but disappeared, and is now only still taught in a few technical schools or specialty schools.

Old painted signs which fade but remain visible are known as ghost signs.





Gentlemen of Letters - A Dublin Sign Painting Film


Quotes I picked up from the short film:


"I do think that pieces of art or signage are really important to a lot of people - a lot of people do take a lot of notice of them and grow a massive love for them. I know, myself, that I would go out of my way to go past a piece of art or, say, a sign in Dublin, because I know that it's going to bring me some sort of joy to my route. I think that if you're a creative person, then you're going to notice these things and you're definitely going to walk in a different way around Dublin, and view things in a different way." - James Earley, Artist & Graphic Designer.

"Something hand painted just has more value to it." - Maser, Artist

"For me there's something a lot more interesting about something that has a human quality to it. Something which has all the hallmarks of being digitally made is a bit clinical. It's about the human touch." - James Early, Artist & Graphic Designer.

"You could do vinyl for this and it could take 20 minutes, and it looks great. But the chances are it will peel off, the chances are it won't last. Sign painting might take 2 or 3 days to do it, but if this shop is still open in 15 years, it will still be here. The paint will still be here, the gold leaf will still be here, the varnish will still be here. You can't just peel it off." - Colm O'Connor, Sign Writer.

"I think that they bring heritage to Dublin, and if they're removed from Dublin, then a massive part of Dublin's past is gone. I think they show a snapshot in time and they're a good way of cataloguing a bygone era." - James Early

"When people decide where they want to eat, the first thing they see is the sign." - Colm O'Connor, Sign Writer.

"Our history is important." - Paul Freeney, Son of Kevin Freeney (Sign Writer)

Lettering

Lettering is the art of making letterforms by drawing or using lettering instruments. The art or technique of scribing letters onto something.






Letterpress

Letterpress printing is a technique of relief printing using a printing press. A worker composes and locks movable type into the bed of a press, inks it, and presses paper against it to transfer the ink from the type which creates an impression on the paper.

In practice, letterpress also includes other forms of relief printing with printing presses, such as wood engravings, photo-etched zinc "cuts" (plates), and linoleum blocks, which can be used alongside metal type in a single operation, as well as stereotypes and electrotypes of type and blocks.[1] With certain letterpress units it is also possible to join movable type with slugs cast using hot metal typesetting.

Letterpress printing was the normal form of printing text from its invention by Johannes Gutenberg in the mid-15th century until the 19th century and remained in wide use for books and other uses until the second half of the 20th century. Letterpress printing remained the primary way to print and distribute information until the twentieth century, when offset printing was developed, which largely supplanted its role in printing books and newspapers. More recently, letterpress printing has seen a revival in an artisanal form.






OUGD505: Research into Khokhloma Patterns

by Roxxie Blackham on Tuesday, 22 April 2014

Khokhloma or Khokhloma painting (Хохлома or Хохломская роспись in Russian, or Khokhlomskaya rospis', Russian pronunciation: [xəxlɐˈma]) is the name of a Russian wood painting handicraft style and national ornament, known for its vivid flower patterns, red and gold colors over a black background, and the effect it has when applied to wooden tableware or furniture, making it look heavier and metal-like.


It first appeared in the second half of the 17th century in what is today known as the Koverninsky District of the Nizhny Novgorod Oblast. The handicraft was named Khokhloma after a trade settlement in the same oblast, where craftsmen had been known for making and selling their handmade goods between the 18th and early 20th centuries. The making of khokhloma was first mentioned in 1659 in the letter of a boyar called Morozov to his bailiff, containing an order for the following: "One hundred painted dishes polished with powdered tin, both large and medium, of the very same kind possessed by us earlier, not forgetting twenty large painted wine bowls, twenty medium, and twenty somewhat smaller".[1]
The handicraft owes its origin to the Old Believers, who, fleeing from persecutions of officials, took refuge in local woods. Even earlier, however, local villagers had experience in making tableware from soft woods. Among the schismatics there were icon-painters, who taught local craftsmen this painting technique.

Ivan Bakanov. Khokhloma artists at work. Palekh miniature, 1929.
An original technique of painting wood in a goldish color without applying real gold is typical of Khokhloma, a remarkable and ingenious invention of Russian craftsmen.[1] Articles carved out of wood (tableware, mostly) were usually primed with clay mortar, raw linseed oil, and tin powder (nowadays aluminum is used). A floral pattern was then painted on top of this coating with a brush. After that, the articles were coated with linseed oil (nowadays, synthetic oil) and hardened in a kiln at high temperatures. A combination of red, black, and gold are typical colors for Khokhloma. There are two principal wood painting techniques used in the Khokhloma, such as the so-called "superficial technique" (red and black colors over the goldish one) and the "background technique" (a goldish silhouette-like design over the colored background).
The Khokhloma handcraft seemed to be fading away in the early 20th century, but it revitalized during the Soviet times. The Khokhloma craftsmen united into artels in the 1920s - early 1930s. In the 1960s, the Soviets built a factory called the Khokhloma Painter near the Khokhloma village and an industrial association called the Khokhloma Painting in a town of Semyonov. These two factories have become the Khokhloma centers of Russia and produce tableware, utensils (mostly spoons), furnituresouvenirs etc.
Unique works of Khoklhoma art can be seen in a Khokloma Museum that was opened in the factory of Semyonov in 1972. Among them there is a huge Khokloma spoon 2 meters and 67 cm large and a bowl one and a half meter large.










After the crit, I thought about how I could make my logo and overall brand have more of a Russian feeling, then I thought about the pattern that is painted onto Matryoshki (russian dolls), pottery and used within some clothing.. After having a scout on the internet, I found the pattern Khokhloma, which has such a Russian aesthetic!

I really love the patterns that I found online, and I even found a few online tutorials so that I can make my own pattern of it to use with the brand